Wendy Woo & Rob Drabkin at Four Mile Historic Park Rescheduled

July 31st, 2009

WHAT:
Swallow Hill Music is pleased to announce the rescheduled date for the Wendy Woo and Rob Drabkin performance at Four Mile Historic Park, part of our annual Shady Grove Picnic Series. The July 29 show was cancelled due to inclement weather and it has been rescheduled for Wednesday, September 2, 2009 at 6:30 p.m. More information about the show and the Series is at http://tinyurl.com/shadygroveconcerts.

WHEN:
Wednesday, September 2 at 6:30 p.m.

WHERE:
Four Mile Historic Park, 715 South Forest Street, Denver, Colo. 80465

CONTACT:
Gwen Burak, Marketing Director, gwen(at)swalllowhillmusic.org
Laura McGaughey, Associate Director of Communications, laura@swallowhillmusic.org
303-765-2488

Russ Barenberg with Quartet Sean McGowan will open

July 30th, 2009

DENVER, COLO. (7/30/09) – Swallow Hill Music is thrilled to present a special Thursday night engagement with the Russ Barenberg Quartet on September 3 at 8 p.m. Acoustic guitarist Russ Barenberg is known as one of the most melodic instrumentalists in contemporary acoustic music. His compositions are among the finest the genre has to offer.

Barenberg got his start in 1970 with the groundbreaking bluegrass band, Country Cooking, and since then has been a member of a variety of highly influential groups, most notably his collaboration from 1989 to 2001 in a trio with dobro master Jerry Douglas and bassist Edgar Meyer. He has also performed and recorded with many other top acoustic and country music artists, including Randy Travis, Emmylou Harris, Ricky Skaggs, Tim O’Brien, Sam Bush and Joan Osborne, to name just a few.

His 1979 debut solo album, Cowboy Calypso, showcased his sophisticated playing and immediately established him as one of the premier composers and arrangers in the emerging new acoustic scene. His work reflects an ever-deepening musicality with continuing dedication to vibrant, roots-based melodies and ensemble interplay.

When at Last, his latest release on Compass Records, garnered a 2008 GRAMMY nomination for Best Country Instrumental Performance for the song, “Little Monk,” as well as a nomination for the International Bluegrass Music Association (IBMA) Instrumental Album of the Year. The album features special guests special guests Dennis Crouch, Ruthie Dornfeld, Jerry Douglas, Stuart Duncan, Viktor Krauss, Kenny Malone and Jeremiah McLane. The Nashville Scene calls it”…a sweet, satisfying collection that pushes melody, lyricism and groove over gee-whiz licks.”

Denver’s own Sean McGowan, whose first recording, River Coffee, won the Best Independent Release of the Year Award from Acoustic Guitar magazine, will open.

Tickets are now on sale at www.swallowhillmusic.org (now with no processing fees) or by calling (303) 777-1003 x2. Discounts are available for Swallow Hill members. Buy in advance and save! This press release is also available online athttp://www.swallowhillmusic.org/newsroom/newsmain.htm and also as a RSS Feed athttp://www.swallowhillmusic.org/xml/newsroom/rss/SwallowHillNews.xml.

Boulder Acoustic Society release new CD, Punchline, The New Familiars will open

July 29th, 2009

DENVER, COLO. (7/29/09) – Swallow Hill Music is pleased to be host to the Denver CD release party for Boulder Acoustic Society on Saturday, August 29 at 8 p.m., co-presented with Twist & Shout. Their debut release on the Boston-based indie label, Nine Mile Records, Punchline, features a bonus track and pop-up CD artwork that includes a free stereoscopic viewer.

Punchline is wide-eyed and naïve in all the right places. They’re flexing their muscles here, showing off just a bit, telling the world that they’re young and talented and here to stay. It also re-establishes that all four are very solid songwriters. Throughout this new disc and on stage, Boulder Acoustic Society is risky, yet never inaccessible, bringing American roots music into the 21st century with reckless creativity. Prior to the CD release party at Swallow Hill Music on August 29, the band will appear at Twist & Shout on August 25 to perform and sign copies of the album for fans.

Old school but never old, Boulder Acoustic Society mashes up blues, folk, gospel, indie and world music to soothe their musical curiosity. Whether it’s a festival stage, performing arts center, dive bar or a late night campground set, Boulder Acoustic Society deliver musical diversity throughout their set as if it’s normal. Their music is intense and exciting for listeners, with something new and interesting at every turn. The unique lineup of violin, accordion, bass and percussion support sharp vocal hooks and powerful grooves. The energy that Boulder Acoustic Society brings to a stage can tip a festival into overdrive or mesmerize a club audience as they dance into the wee hours. All of this comes from four guys: Scott Aller, Aaron Kiem, Scott McCormick and Kailin Yong, who wear vintage clothes, savor small batch bourbon and rock the ukulele.

Darol Anger says, “Here, for us, is the future of String Band Music on a silver platter. A multi-national, multicultural, symphonic, swingin’ band of young monsters that will bring you to the rocky mountain where they live and show you around the place… and you will like this place.”

Swallow Hill Music and Boulder Acoustic Society have a long history together, as the band has played Swallow Hill venues from their very beginnings. They were one of the showcase acts at Swallow Hill’s Third Annual RootsFest at the Ellie Caulkins Opera House this past March, headlined by Hot Rize, Rickie Lee Jones and Leo Kottke.

Opening the show is The New Familiars, a quartet that combines an amazing passion for harmony and collaborative songwriting with multi-instrumental talent.

KBCO & Swallow Hill Music present Bill Nershi, Darol Anger, Tao Rodriguez-Seeger & Scott Law

July 28th, 2009

DENVER, COLO. (7/28/09) – KBCO & Swallow Hill Music are pleased to present a very special all-star performance in the intimate setting of Swallow Hill’s Daniels Hall on Sunday, November 8 at 7 p.m. when Bill Nershi, Darol Anger, Tao Rodriguez-Seeger & Scott Law all share the stage together.

Since playing together at Pete Seeger’s Birthday Bash at Madison Square Garden in May, Nershi and Rodriguez-Seeger have been looking for additional opportunities to play together. Swallow Hill Music is thrilled to host them, along with Anger and Law, for a troubadour-style show, playing and telling stories in various combinations.

Bill Nershi is a founding member and guitarist for The String Cheese Incident, one of America’s most popular jam bands out of Boulder. Other projects include Honkytonk Homeslice (a trio that he co-founded with his wife, Jilian, and includes Scott Law), and the Emmitt Nershi Band, featuring Leftover Salmon’s Drew Emmitt. A seasoned veteran of flatpicking and a variety of acoustic styles, Nershi adds a unique, colorful perspective to virtually any musical situation he encounters, and his enthusiasm and playful spirit encourage an interactive, participatory experience for musicians and fans alike. He is leading tonight’s attempt by Swallow Hill Music and Film on the Rocks to make the Guinness World Book Record for the World’s Largest Music Lesson at Red Rocks Amphitheatre.

Exceptional among modern fiddlers for his versatility and depth, Darol Anger has helped drive the evolution of the contemporary string band through his involvement with numerous groundbreaking ensembles such as his Republic Of Strings, the Turtle Island String Quartet, the David Grisman Quintet, Montreux and the Duo. Today Anger can be heard on NPR’s “Car Talk” theme every week, along with Earl Scruggs, David Grisman and Tony Rice. He has recorded and produced scores of important recordings since 1977, is a MacDowell and UCross Fellow, and has received numerous composers’ residencies and grants. He is a featured soloist on dozens of recordings and motion picture soundtracks.

Filtered through time and technology, delay pedals, phase shifters and a touch of ’60s psychedelia, Tao Rodriguez-Seeger‘s music fuses the folk styles of his family heritage with modern day rock-n-roll. Whether he plays solo, duo, or with a band, on the guitar, banjo, mandolin, or harmonica, it’s all distinctively Tao Rodriguez-Seeger. His music is a blend of the times. Perhaps traditional, alt-timey, or American traditional rock would be apt descriptions. He writes tunes and loves to dig up ancient folk songs, adding a verse or slightly rewriting them to reflect a more positive outcome from the old messages of cause and effect, fear and retribution than in the old moralistic tales.

Scott Law has been working with legendary artists for nearly three decades. A multi-instrumentalist, he plays drums and guitar, and his deep interest in American roots music led him to pick up the mandolin, which he doubles on frequently in concert. With any instrument in hand, Law is a bold, imaginative improviser with who plays with exuberance in his tone and a rare rhythmic concision that always makes the music sound bigger. He just released a new solo album, Living Room, and is working on a second release, Love & Repair.

Denver Mayor John Hickenlooper to participate in the World’s Largest Music Lesson

July 27th, 2009

WHAT:
Denver Mayor John Hickenlooper at the WORLD’S LARGEST MUSIC LESSON at Red Rocks Amphitheatre on Tuesday, July 28 at 7 p.m. Participants can bring any instrument. Celebrity musicians, including Bill Nershi (String Cheese Incident), Pete Wernick (Hot Rize), Trace Bundy, Chris Daniels and Scott Law, along with about 30 members of Swallow Hill Music School’s faculty, will teach the audience of 8,000 how to play and sing two simple songs to put Colorado in the Guinness World Records. The lesson will be followed by a jam by our all-star performers and the audience will be encouraged to play along. This event is part of the Denver Film Society’s annual Film on the Rocks series. Mayor John Hickenlooper will introduce the screening of the film “Indiana Jones and the Last Crusade.”

WHEN:
Tuesday, July 28. Doors will open and registration will begin at 6 p.m. with the lesson starting at 7 p.m.

WHERE:
Red Rocks Amphitheatre, Morrison, CO 80465

CONTACT:
Gwen Burak, Marketing Director, gwen(at)swalllowhillmusic.org
Laura McGaughey, Associate Director of Communications, laura@swallowhillmusic.org
303-765-2488

Swallow Hill presents Saffire – The Uppity Blues Women: The Farewell Tour

July 23rd, 2009

DENVER, COLO. (7/23/09) – Swallow Hill Music presents Saffire – The Uppity Blues Women for their final Denver performance as the trio of multi-instrumental women dissolve the band to cultivate their own solo careers.

Ann Rabson, Gaye Adegbalola and Andrea Faye, the spirited women of Saffire – The Uppity Blues Women, have never shied from speaking their minds. During the course of their 25-year career, words like “fearless,” “inspiring,” “witty,” “joyful” and “powerful” have been used to describe their smart, sassy and deeply emotional blues. Over the course of six critically acclaimed studio albums, one live album and thousands of shows, the band has gone from virtual obscurity to become one of the most successful and entertaining acoustic blues groups today.

A review in Ms. Magazine perfectly summed up the band’s incredible rise to the top: “Recipe for success: start with three talented musicians. Stir in rich melodies, honky-tonk rhythms and spicy-hot lyrics. Then add a bucketful of courage, the kind it takes to leave home and career in mid-life. Simmer for a few hours in smoky roadhouses and cheap motels. The result? Saffire – The Uppity Blues Women.”

The trio’s new Alligator CD, Havin’ the Last Word, will be their final declaration together as Saffire – The Uppity Blues Women. The group has decided it’s time to move on so they can pursue their own individual interests. Gaye Adegbalola (vocals, guitar, harmonica) explains, “For many years our visions coincided, but as we have aged and grown, our individual agendas have changed.”

Saffire – The Uppity Blues Women are a little vaudeville, blues and brazen, but most all of they are themselves. Hearing these fearless songs reveals these passionate ladies have lived life, learned from its misgivings and are all the better for it. As heard in lyrics like “bad times make the good times better,” their songs preach to expect suffering and to grow from it. In their final hour – literally, as the CD’s runtime is 60 minutes – their strength, joy and love is positive. Whenever they decided to call it quits, you just knew these sassy gals were going to have the last word. Don’t miss this final performance!

Joe Pug added to Swallow Hill’s fall concert series Meg Hutchinson to open

July 21st, 2009

DENVER, COLO. (7/21/09) – Swallow Hill Music is thrilled to welcome back acclaimed singer/songwriter Joe Pug, with special guest Meg Hutchinson, to their Daniels Hall stage on Friday, October 16 at 8 p.m.

Swallow Hill first presented Joe Pug at their Third Annual RootsFest at the Ellie Caulkins Opera House on Saturday, March 28, 2009. Pug was a showcase artist for the event featuring headliners Hot Rize, Rickie Lee Jones and Leo Kottke. He recently showcased at this past weekend’s Mile High Music Festival, and was invited to be a part of the upcoming Rocky Mountain Folks Festival in Lyons, in addition to other esteemed festivals and events such as Bonnaroo and the Newport Folk Festival. This Swallow Hill appearance is an excellent opportunity to catch this rising star in an intimate setting.

The day before his senior year as a playwright student at the University of North Carolina, Joe Pug sat down for a cup of coffee and had the clearest thought of his life: I am profoundly unhappy here. Then came the second clearest: Pug packed up his belongings and drove the longest route possible to Chicago. Working as a carpenter by day, the 23-year-old Pug spent nights playing the guitar he hadn’t picked up since his teenage years. Using ideas originally slated for a play he was writing called “Austin Fish,” Pug began creating the sublime lyrical masterpiece that would become the Nation of Heat EP.

The songs were recorded fast and fervently at a Chicago studio where a friend snuck him in to late night slots other musicians had canceled. He was short on money, but his bare-boned sincerity didn’t require much more than a microphone and it dripped off of each note he sang. In May of 2008, Pug played the first headlining slot of his young career to a sold out crowd at Chicago’s storied Schubas Tavern. Two weeks later he released the Nation of Heat EP, which has garnered near-universal critical acclaim and established him as one of the most respected songwriters of his generation. My Old Kentucky Blog writes: “Fans of quality songwriting need to hunt down a copy of Nation of Heat.”

Meg Hutchinson, who delivers “elegant, free floating melodies that feel both modern and rooted,” (Boston Globe), will open for Pug.

Swallow Hill Music presents An Acoustic Evening with Al Stewart at the L2 Arts and Culture Center

July 16th, 2009

DENVER, COLO. (7/16/09) – Swallow Hill is thrilled to present An Acoustic Evening with Al Stewart, the legendary international folk rocker known for such hits as “Year of the Cat,” at the L2 Arts and Culture Center on Colfax and Columbine Streets, on Friday, December 18 at 8 p.m. Tickets go on sale Friday, July 24, and are available on line at www.swallowhillmusic.org(now with no processing fees), by phone at (303) 777-1003 x2, or by visiting the Swallow Hill box office at 71 East Yale Avenue, Denver, Colo.

Al Stewart was born on September 5, 1945, in Glasgow, Scotland. At an early age he moved to Bournemouth, a seaside town in the south of England. Whilst growing up in Bournemouth he bought his first guitar from Andy Summers (The Police) and learned his guitar licks from Robert Fripp (King Crimson). Other contemporaries in these early years were Greg Lake (ELP), Lee Kerslake (Uriah Heap) and the infamous George “ZOOT” Money.

Escaping the harsh confines of public school at the age of 16, he decided his path was to be that of a musician. Stewart started his musical career playing guitar in various bands (one in particular with disc jockey Tony Blackburn), but after hearing Bob Dylan, decided his path should be that of a lyricist. In 1965, he moved to London where he landed the job as the emcee at the legendary folk club Les Cousines in Soho. During this time, he started writing and performing at the clubs as well as introducing the likes of Simon & Garfunkel, Cat Stevens, Bert Jansch, John Renbourne, and Ralph McTell. Surpassing his duties as emcee at Les Cousines, he started performing at Bunjies and the Troubadour in London. He then moved on to perform at folk clubs and colleges throughout England with the likes of The Incredible String Band, Steeleye Span, Fairport Convention, Pentangle and Roy Harper.

Stewart’s first album, Bedsitter Images, was released in 1967, followed by Love Chronicles in 1969, Zero She Flies in 1970 and Orange in 1972. Many of these early songs were pages ripped from a diary of love affairs, Proust-like in detail and startling for their unabashed exposure of intimacies. If it wasn’t the length (19 minutes) of “Love Chronicles” that kept it from the BBC airwaves, then certainly the explicit lyrics did the trick. Musicians featured on these albums were Jimmy Page, Rick Wakeman, Richard Thompson, Phil Collins, Queen’s Roger Taylor and Brinsley Schwartz.

Then came a crucial shifting of gears: Stewart decided to write about any and everything but himself. He began incorporating historical data and elements of film, literature and current affairs into his lyrics. Past, Present and Future, his first U.S. release, was the first record Stewart made using this approach. It became a cult album that has now sold close to a million copies worldwide. His next album, Modern Times, cracked the U.S. Top 40 Album chart that led to a successful U.S. tour. Year of the Cat, released in 1976, became his first platinum album in the U.S. It featured two Top 20 singles, “Year of the Cat” and “On the Boarder.” Buoyed by this success, he moved to Los Angeles and released Time Passages (1978) that also went platinum and featured the singles “Time Passages” and “Song On The Radio.: This period was followed by worldwide tours with his band, Shot In The Dark. Subsequent albums and acclaimed songs followed.

The ’90s brought a return to Stewart’s folksier roots with a UK solo tour (his first in 15 years). He enjoyed the freedom of performing the songs acoustically and, on his return to the United States, recruited long-time musician and songwriter partner, Peter White, to perform a series of shows in both the U.S. and Japan. It was during these shows that the album, Rhymes in Rooms, was recorded. It features some of his most well known songs performed in an intimate live setting. Its follow up in 1993, Famous Last Words, is an album of original songs incorporating acoustic instrumentation with traditional folk and classical styles.

His latest album, Sparks of Ancient Light, was released in the U.S. in September of 2008 by Appleseed. With a dozen new vignettes of history and mystery elegantly intertwined by the timeless master of musical storytelling, it spans at least 2500 years of history in its tales of exotic locations and situations.

Celebrity musicians for World’s Largest Music Lesson at Red Rocks announced

July 15th, 2009

WHAT:
Swallow Hill and the Denver Film Society’s Film on the Rocks are pleased to announce the celebrity musicians who will be teaching the WORLD’S LARGEST MUSIC LESSON at Red Rocks Amphitheatre on Tuesday, July 28 at 7 p.m.:

Bill Nershi (The String Cheese Incident): http://www.stringcheeseincident.com
Scott Law (Darol Anger, Tony Furtado) : http://www.scottlawmusic.com
Pete Wernick (Hot Rize): http://www.drbanjo.com
Trace Bundy: http://www.tracebundy.com
Chris Daniels (Chris Daniels and the Kings): http://www.chrisdaniels.com
Velvet Elvis: http://jonnybarber.com

Participants can bring any instrument, from guitar to tuba, from sitar to harmonica, that they can already play at an easy beginner level to participate in this special historical event. The special celebrity musicians, along with about 30 members of Swallow Hill Music School’s faculty, will teach the audience of 8,000 how to play and sing two simple songs to put Colorado in the Guinness World Records. The lesson will be followed by a jam by our all-star performers and the audience will be encouraged to play along. This event is part of the Denver Film Society’s annual Film on the Rocks series and precedes the screening of the film, “Indiana Jones and the Last Crusade.”

WHEN:
Tuesday, July 28. Doors will open and registration will begin at 6 p.m. with the lesson starting at 7 p.m.

WHERE:
Red Rocks Amphitheatre, Morrison, CO 80465

CONTACT:
Gwen Burak, Marketing Director, gwen(at)swalllowhillmusic.org
Laura McGaughey, Associate Director of Communications, laura@swallowhillmusic.org
303-765-2488

Bluegrass meets rap as The Deadly Gentlemen take the Swallow Hill stage Truckstop Honeymoon will open the show

July 14th, 2009

DENVER, COLO. (7/14/09) – Swallow Hill is thrilled to present the innovative band, The Deadly Gentlemen, featuring Greg Liszt of Crooked Still, fresh off their summer European tour, along with openers Truckstop Honeymoon, to their Daniels Hall stage on Friday, August 21 at 8 p.m.

Irresistible, rock-like grooves from banjo, mandolin, fiddle and acoustic bass. Cutting-edge bluegrass virtuosity. Honesty, wit and passion. Deep roots in the American acoustic tradition. Rapid and deft rap vocals. Yes, rap. Meet The Deadly Gentlemen, whose wildly original debut,The Bastard Masterpiece, proudly defies the stereotypes of both banjo and rap to define an organic, captivating, and totally novel approach to folk music.

“Trust us, this is not what you are expecting,” says Greg Liszt, the band’s banjo player and vocalist, who is a member of the acclaimed bluegrass band, Crooked Still, and who recently completed an international tour with Bruce Springsteen as well as a Ph. D. in Molecular Biology from MIT. The band’s banjoist and vocalist, he is joined by Josh Pinkham (Frank Vignola Quintet) on mandolin; Michael Barnett (Jesse McReynolds and Tony Trischka) on fiddle; and Sam Grisman (David Grisman Bluegrass Experience) on double bass.

Each of the 10 songs on The Bastard Masterpiece is narrative, topical, and firmly rooted in either traditional or contemporary folk themes. But each song brings its own wit, edge, and attitude to bear our common experiences and fantasies: the violent Wild West, the metropolitan workday, the end of the damned world, that time you drank too much, the baddest hobo ever to ride rails, ghosts coming back to the world for their living lovers, regret—it will seize you.

Truckstop Honeymoon, “a barnstorming punk rock take on vaudeville banjo and bluegrass music” (Lagniappe), will open the show.

« Older Entries

Swallow Hill Sounds

Preview songs from many of the artists coming soon to Swallow Hill Music. Just click, and enjoy!

Acoustic Eidolon – Barefoot
Caravan of Thieves – Candy
Elizabeth Cook – All the Time
Hayes Carll – Stomp and Holler

Children's Music Classes

We offer music classes for children starting as young as 6 months.

We teach all types of music classes for kids including guitar, ukulele, piano, violin and fiddle, percussion and more!

Become A
Swallow Hill Music
Member Today

Find Out More >