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An acoustic evening with Scottish folk-rocker Al Stewart |
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PRESS RELEASE
Monday, November
23, 2009
Contacts:
Rudy Betancourt
rudy@swallowhillmusic.org
303.6435816 |
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DENVER — Swallow Hill Music and Twist & Shout present an
acoustic evening with legendary Scottish folk-rocker Al Stewart on Friday, December
18, 8 p.m. at the
L2 Arts & Culture Center.
Escaping the harsh confines of public school at the age of 16, Scotland native
Al Stewart decided his path was to be that of a musician. Having
purchased his first guitar from Andy Summers (The Police), Stewart started his
musical career playing in various bands (one in particular with famed disc
jockey Tony Blackburn), but after being introduced to Bob Dylan he decided to
focus his attention on being a lyricist as well. In 1965, he moved to London
where he landed a job as emcee at the legendary folk club Les Cousines in Soho.
During this time, he started writing and performing at the club as well as
introducing to the stage artists the likes of Simon & Garfunkel, Cat Stevens,
Bert Jansch, John Renbourne, and Ralph McTell. Surpassing his duties as emcee at
Les Cousines, he started performing at Bunjies and the Troubadour in London. He
then moved on to perform at folk clubs and colleges throughout England with the
likes of The Incredible String Band, Steeleye Span, Fairport Convention,
Pentangle and Roy Harper.
Stewart’s first album, Bedsitter Images, was released in 1967, followed
by Love Chronicles in 1969, Zero She Flies in 1970 and Orange
in 1972. Many of these early songs were pages ripped from a diary of love
affairs, Proust-like in detail and startling for their unabashed exposure of
intimacies. If it wasn’t the length of “Love Chronicles” (19 minutes) that kept
it from the BBC airwaves, then certainly the explicit lyrics did the trick.
Musicians featured on these albums included Jimmy Page, Rick Wakeman, Richard
Thompson, Phil Collins, Queen’s Roger Taylor and Brinsley Schwartz.
Then came a crucial shifting of gears: Stewart decided to write about any and
everything but himself. He began incorporating historical data and elements of
film, literature and current affairs into his lyrics. Past, Present and
Future, his first U.S. release, was the first record Stewart made using this
approach. It became a cult album that has now sold close to a million copies
worldwide. His next album, Modern Times, cracked the U.S. Top 40 Album
chart that led to a successful U.S. tour. Year of the Cat, released in
1976, became his first platinum album in the U.S. It featured two Top 20
singles, “Year of the Cat” and “On the Boarder.” Buoyed by this success, he
moved to Los Angeles and released Time Passages (1978) that also went
platinum and featured the singles “Time Passages” and “Song On The Radio.” This
period was followed by worldwide tours with his band, Shot In The Dark.
The ‘90s brought a return to Stewart’s folksier roots with a UK solo tour (his
first in 15 years). He enjoyed the freedom of performing the songs acoustically
and, on his return to the United States, recruited long-time musician and
songwriting partner Peter White to perform a series of shows in both the U.S.
and Japan. It was during these shows that the album, Rhymes in Rooms, was
recorded. It features some of his most well known songs performed in an intimate
live setting. Its follow up in 1993, Famous Last Words, is an album of
original songs incorporating acoustic instrumentation with traditional folk and
classical styles.
His latest album, Sparks of Ancient Light, was released in the U.S. in
September of 2008 by Appleseed. With a dozen new vignettes of history and
mystery elegantly intertwined by the timeless master of musical storytelling, it
spans at least 2500 years of history in its tales of exotic locations and
situations.
Tickets
are now on sale at
www.swallowhillmusic.org (now with no processing fees) or by calling (303)
777-1003 x2. Discounts are available for Swallow Hill members.
About Swallow Hill Music Association:
Helping people make and enjoy music since 1979, Swallow Hill Music Association
celebrates its 30th anniversary in 2009 as one of the largest nonprofit
institutions of its kind in the United States as a source for folk, roots and
acoustic music. In 2008, Swallow Hill Music served more than 80,000 people
through their concert, school and outreach programming. With more than 2,300
members, Swallow Hill provides a place to celebrate music that is rarely heard
elsewhere in the Rocky Mountain Region. Three concert venues house more than 200
performances a year, featuring some of the world's great artists as well as
up-and-coming new talent. Swallow Hill’s
Julie Davis School of Music offers classes for every interest, skill level and
member of the family. Each year, a faculty of 60 instructors provides training
to more than 4,000 students.
A Tier II member of the Scientific and Cultural Facilities
District, Swallow Hill has been named one of the Top 25 Movers & Shakers in Arts
& Culture by the Rocky Mountain News, has won both the Mayor's and
Governor's Awards for Excellence in the Arts and countless "Best of Denver"
awards, has been recognized by the North American Folk Alliance, and is one of
the most sought-after venues by folk and roots performers in the country.
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